The Collector

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In “The Collector” by John Fowles, the withdrawn and uneducated protagonist, Frederick, leads a life collecting butterflies and pursuing his obsession with the art student, Miranda. With an unexpected inheritance, he purchases a secluded house in Sussex and proceeds to abduct Miranda, driven by the belief that she will eventually develop feelings for him.

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Summary of The Collector:

John Fowles’ novel delves into the disturbing narrative of Frederick’s obsession with Miranda, exploring his misguided notions of love and possession that lead to the abduction, portraying the psychological complexities of their relationship.

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Analysis of The Collector:

Fowles intricately examines the dark facets of human obsession and the unsettling dynamics between Frederick and Miranda, shedding light on the psychological turmoil and power imbalances within their captivity.

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Characters in The Collector:

Frederick’s character stands out as the central figure, with Miranda portraying the victim of his obsession, creating a narrative that navigates through themes of captivity, control, and the distorted perceptions of love.

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Main Plot of The Collector:

Set against the backdrop of a secluded Sussex house, the story unfolds Frederick’s delusional quest for affection, exploring the disturbing intricacies of his actions and the psychological manipulation of Miranda.

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Major Themes in The Collector:

The book delves into themes of obsession, possession, and the complexities of human relationships, offering a chilling exploration of the darker aspects of love and the human psyche.

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Genre and Reception of The Collector:

John Fowles’ “The Collector” is acclaimed for its psychological depth and unsettling portrayal of obsession, garnering critical acclaim for its exploration of disturbing human emotions.

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1 review for The Collector

  1. Phillip (verified owner)

    What a phenomenal read! This book had everything I could ask for: a gripping plot, richly developed characters, and prose that was both evocative and mesmerizing.

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